Category Archives: Willing Suspension of Disbelief

No Such Thing?

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It has been said that being a writer is like playing god. You have the power to make anything happen. Writing about witches and magic and newly created myth is even headier stuff. And a whole hell of a lot of fun. But it was also a great deal of challenge, to keep track of all the history, fictional and otherwise. In all my books, I do my best to stick close to the truth. The same is true for a book about witches. I didn’t want to fall prey to the usual tropes found in books about magical beings. … Continue reading →

Fiction as World View

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I have had some criticism from a few readers who were disappointed when I introduced new characters and locations and plots in my series fiction, and allowed the main characters to have a slightly smaller role to make room; apparently these readers wanted the same story again, the same characters, the same sex scenes, the same dynamics, the same formulaic challenges, the same everything. Essentially, they wanted to read about characters who lived in a vacuum, and never had any interaction with others, nor any natural progression. This mindset is not only elitist, fearful, and unrealistic, but within fiction, stale, … Continue reading →

Critique of Bad Fiction

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Several years ago, I did a critique for a friend who wanted my editorial-writerly insight on some stories she wrote. After I read them, I was then uneasy, because I am not willing to lie, yet I didn’t want to hurt her feelings. When she asked about the results of my reading, I told her I was afraid she wouldn’t like my critique. She stated emphatically that she wanted the cold hard truth. And so, that’s what I gave her. Below, is the critique, and I post it because I feel it covers lots of territory that every new writer … Continue reading →

Voice: First & Third Person

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One of the most difficult things to master for me (and many other writers) is VOICE. This challenge trudges through the morass of other subjects like past tense vs. present tense, or past perfect tense, flashbacks, omniscience. . . Which Person? In fiction, the overwhelming majority of books are written in Third-Person. There are cogent reasons for this. One pertinent reason is that when you use First-Person, you are restricted to only what your main character is privy too. So if you need some clandestine goings-on, this wouldn’t serve you. In First-Person, your main character has to be present all … Continue reading →